YouвЂ™ve heard of Sinbad, Aladdin, and Ali Baba? YouвЂ™ve got 998 more stories to go! 1001 Nights brings them to you in a way that will keep you coming back for more. Filled with exciting stories, vivid animation, wonderful music, tand unforgettable characters, 1001 Nights is eye-popping entertainment for both kids and adults.

вЂњThat way weвЂ™ll both be happy,вЂќ she asserts, as they drive away.Genies, Mermaids, Emperors, Thieves & More!ДЄ new animated comedy series, 1001 Nights is an original show that brings the delightful tales of the famed 1001 Arabian Nights to the screen with hilarity, excitement, and non-stop fast paced action. At the tripвЂ™s abrupt end, Marion tells Pauline they should convince themselves of contradictory tales about their messy summer romances, in order to assuage their heartbreak. While there might not be much guidance from those вЂњoldiesвЂќ in her orbit, Pauline does receive a sage lesson about self-delusion. вЂњYou tell your stories,вЂќ Pauline says at the holiday groupвЂ™s first dinner, as if in premonition of the narratives to be spun. Pauline, though, is a rare Rohmer heroine вЂ“ clear-eyed and unwilling to be sucked into the adultsвЂ™ charade. His characters are tormented by indecision, tempted by their desires (often by a type frequently found in his earlier films: the incorrigible but opaque woman), and even his most despondent individuals still cling to a scrap of hope, and perhaps some magical thinking. Like most of his films, talk is eloquent and incessant the subjects are sex, relationships and fidelity. Pauline at the Beach is a good place to start with the work of Rohmer. In Pauline at the Beach, this creed results in plenty of understated, seasonal splendour: misty ocean vistas, purple hydrangeas in bloom and metallic bathers that stick to bronzed, salt-sprayed limbs. Rohmer, a devout Catholic, saw cinema as a means to faithfully replicate the beauty of GodвЂ™s creation. Outside of these amorous antics, Pauline at the Beach hums with the languidness of summer, punctuated by swims, al fresco breakfasts and the infrequent windsurfing lesson. On the beach, they run into MarionвЂ™s old ex, the sharp-jawed, practical Pierre (Pascal Greggory), who in turn bumps into an acquaintance, Henri (FГ©odor Atkine), a peripatetic (and lecherous) ethnographer. ItвЂ™s the end of summer and 15-year-old Pauline (Amanda Langlet) has come to a resort town in Normandy to holiday with her older cousin Marion, a fashion designer (Arielle Dombasle, who, with her bulging coral necklace, exuberant hand gestures and fuzzy, blonde blow-out, is almost вЂ“ but not quite вЂ“ a caricature of a French fashion person). With endless leisure time stretching out before them, they stare into the void or entangle themselves in fraught romantic relations вЂ“ as in the case in his charming yet bittersweet 1983 film Pauline at the Beach (Pauline Г la Plage, the third addition to RohmerвЂ™s Comedies and Proverbs sextet), which is currently streaming on Stan. His young, confused creations live in the languorous space where personal ethics slip and loneliness and listlessness are magnified under the hot sun. I n the films of late New Wave director Г‰ric Rohmer, the summer holiday is a site for unmet desires, moral crises and inertia.

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